Gothic Ivories Project


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Type	Place/date	Current location

Rosary pendant, 2 faces (chapelet)

French or South Netherlandish (Flemish); 15th century-16th century

Philadelphia, Philadelphia Museum of Art, 2007-133-1

Knife handle (manche de couteau)

French (Avignon?); Italian; 14th century

Saint Petersburg, The State Hermitage Museum, Inv. F 228

Opening Virgin triptych (Vierge ouvrante); Boubon Virgin (Vierge de Boubon)

French (Burgundy, Sens?); 12th century-13th century; 18th century-19th century

Baltimore, Walters Art Museum, Inv. 71.152

Gabled triptych, 2 registers, with arches and bands of rosettes (tabernacle; colonnettes; frise d'arcatures; décor de roses)

French; 14th century

Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 626 (almost completely destroyed)

Polyptych with ivory reliefs, 1 and 2 registers (tabernacle; appliqués); also known as Madonna di Monteguaitano and Madonna delle Grazie

Italian, French; 14th century

Siena, Pinacoteca Nazionale, s/n

Wing, left (fragment of a diptych), 1 register, 3 arches across (plaquette; frise d'arcatures)

Rhenish (Cologne?), French (Paris); 14th century

Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 622

Statuette

French (Paris?); 14th century

Toronto, The Thomson Collection at the Art Gallery of Ontario (AGO), 29125

Opening Virgin triptych (Vierge ouvrante); Boubon Virgin (Vierge de Boubon)

French (Burgundy, Sens?); 12th century-13th century; 18th century-19th century

Baltimore, Walters Art Museum, Inv. 71.152

Casket (coffret; frises d'arcatures)

French; 14th century

Toulouse, Musée Paul-Dupuy, Inv. 18037 (Roschach 917)

Gabled diptych with pinnacles, 3 registers, 3 arches across (frise d'arcatures; colonnettes)

French (Paris); 13th century

Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 623; Inv. 624


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