Gothic Ivories Project


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Type	Place/date	Current location

Diptych, 2 registers, 3 arches across, bands of rosettes (frise d'arcatures; décor de roses)

Rhenish (Mainz?) or French (Paris?); 14th century

Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 645; Inv. 646

Rosary pendant, 2 faces (chapelet)

French or South Netherlandish (Flemish); 15th century-16th century

Philadelphia, Philadelphia Museum of Art, 2007-133-1

Openwork diptych, 3 registers, 3 arches across (frise d'arcatures; colonnettes; ajouré); known as the portable altar of king Christian I

Norwegian; 14th century and 15th century

Copenhagen, Nationalmuseet, Inv. 10357

Wing, left (fragment of a diptych), 1 register, 1 arch across (plaquette; colonnettes)

French (Paris); 13th century-14th century

Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 11/82

Openwork panels, part of a casket (plaque ajourée; coffret)

French (Burgundy?); 15th century

Paris, Musée du Louvre, MRR 83

Corpus

French (Paris); 14th century

Madrid, Museo Nacional del Prado, Inv. E 489

Gabled diptych, 4 registers, 3 arches across (frise d'arcatures; colonnettes)

French (Picardy?); 13th century

London, Wallace Collection, S246

Wing, right (fragment of diptych), 1 register, 3 arches across (plaquette; frise d'arcatures)

; 15th century

Zürich, Swiss National Museum, LM 887

Relief (appliqué)

; 14th century

Fondation Gandur pour l'Art (Switzerland), FGA-AD-BA-24

Hunting horn (oliphant)

Norwegian (?); 14th century

Stockholm, Historiska museet (The Swedish History Museum), Inv. 5975:1


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