Gothic Ivories Project


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Type	Place/date	Current location

Diptych, 2 registers, 4 arches across (frise d'arcatures; colonnettes)

French (?); 14th century

Schwerin, Staatliches Museum Schwerin, MK 33

Corpus

French (Paris); 14th century

Madrid, Museo Nacional del Prado, Inv. E 489

Reliefs (appliqués; part of a group) and statuette

French; 13th century; 14th century

Zwettl, Stift Zwettl, s/n

Gabled painted polyptych; reliefs in a wooden tabernacle (appliqués)

French (Paris); German; 14th century

Halberstadt, Cathedral treasury (Domschatz), Inv. 15

Gabled triptych, 2 registers; reliefs (appliqués)

French (Paris?), German (Cologne); 14th century

Aachen, Suermondt-Ludwig-Museum, KK 997

Statuette (probably part of a staff)

; 15th century

Langres, Saint-Mammès Cathedral Treasury (property of the French State), Inv. 13

Wing, right (fragment of a diptych), 1 register, 3 arches across (frise d'arcatures; plaquette)

French; 14th century

Toronto, The Thomson Collection at the Art Gallery of Ontario (AGO), 29116

Diptych with gables, 3 registers, 3 arches across (frise d'arcatures); known as 'Soissons Diptych'

French (Paris); 13th century

London, Victoria and Albert Museum, 211-1865

Polyptych with ivory reliefs, 1 and 2 registers (tabernacle; appliqués); also known as Madonna di Monteguaitano and Madonna delle Grazie

Italian, French; 14th century

Siena, Pinacoteca Nazionale, s/n

Gabled wing, left (part of a diptych), 3 registers, 3 arches across (frise d'arcatures)

North French or Paris; 13th century

Baltimore, Walters Art Museum, Inv. 71.157


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