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51 to 60 of 100

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Type

Place/date

Current location
Statuette (Front)
Statuette French (Seine Inférieure or Normandy); 13th century Detroit, The Detroit Institute of Arts, 64.71
Box with pitched lid (boîte) (End, left)
Box with pitched lid (boîte) South Netherlandish (Flemish); 15th century Chicago, Loyola University Museum of Art (LUMA), Inv. 1984-03
Comb (peigne double) (Side 2)
Comb (peigne double) French or South Netherlandish (Flemish) (?); 15th century Berlin, Kunstgewerbemuseum, Inv. F 1625
Fragment of a polyptych (tabernacle) (Front)
Fragment of a polyptych (tabernacle) French; 13th century-14th century Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 2113 (almost completely destroyed)
Relief (appliqué) (Front)
Relief (appliqué) French; 14th century; 18th century; 19th century Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 2111
Diptych, 2 registers, 3 arches across (frise d'arcatures) (Front)
Diptych, 2 registers, 3 arches across (frise d'arcatures) French; 14th century Toronto, The Thomson Collection at the Art Gallery of Ontario (AGO), 70322
Wing, left (fragment of a diptych), 1 register, 3 arches across (plaquette; frise d'arcatures) (Front)
Wing, left (fragment of a diptych), 1 register, 3 arches across (plaquette; frise d'arcatures) Italian; 14th century Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 2556
Statuette (Side, right)
Statuette French (Seine Inférieure or Normandy); 13th century Detroit, The Detroit Institute of Arts, 64.71
Gabled triptych, 2 registers; reliefs (appliqués) (Front (open))
Gabled triptych, 2 registers; reliefs (appliqués) French (Paris?), German (Cologne); 14th century Aachen, Suermondt-Ludwig-Museum, KK 997
Wing, left (part of a diptych), 3 registers, 6 arches across, bands of rosettes (frise d'arcatures; décor de roses) (Front)
Wing, left (part of a diptych), 3 registers, 6 arches across, bands of rosettes (frise d'arcatures; décor de roses) Rhenish (Mainz?), French (Paris?); 14th century Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 2722

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