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61 to 70 of 100

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Type

Place/date

Current location

Rosary pendant, 2 faces (chapelet) (Side 2)
Rosary pendant, 2 faces (chapelet) French or South Netherlandish (Flemish); 15th century-16th century Philadelphia, Philadelphia Museum of Art, 2007-133-1
Openwork panels, part of a casket (plaque ajourée; coffret) (Detail (end, left))
Openwork panels, part of a casket (plaque ajourée; coffret) French (Burgundy?); 15th century Paris, Musée du Louvre, MRR 83
Wing, left (fragment of a diptych), 1 register, 3 arches across (plaquette; frise d'arcatures) (Front)
Wing, left (fragment of a diptych), 1 register, 3 arches across (plaquette; frise d'arcatures) Rhenish (Cologne?), French (Paris); 14th century Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 622
Statuette (Detail)
Statuette French (Paris); 14th century-15th century Toronto, The Thomson Collection at the Art Gallery of Ontario (AGO), 68118
Statuette (Front)
Statuette French (Seine Inférieure or Normandy); 13th century Detroit, The Detroit Institute of Arts, 64.71
Panel, 1 register, 1 ogee arch across (plaquette); reused as a pax (baiser de paix) (Front)
Panel, 1 register, 1 ogee arch across (plaquette); reused as a pax (baiser de paix) French (Paris); 14th century Bruges, Bruggemuseum-Gruuthuse, Inv. 0.7.VIII
Opening Virgin triptych (Vierge ouvrante); Boubon Virgin (Vierge de Boubon) (Front)
Opening Virgin triptych (Vierge ouvrante); Boubon Virgin (Vierge de Boubon) French (Burgundy, Sens?); 12th century-13th century; 18th century-19th century Baltimore, Walters Art Museum, Inv. 71.152
Statuette (Side)
Statuette French; 16th century Leipzig, GRASSI Museum für Angewandte Kunst, 1916.219
Opening Virgin triptych (Vierge ouvrante); Boubon Virgin (Vierge de Boubon) (Front (closed))
Opening Virgin triptych (Vierge ouvrante); Boubon Virgin (Vierge de Boubon) French (Burgundy, Sens?); 12th century-13th century; 18th century-19th century Baltimore, Walters Art Museum, Inv. 71.152
Statuette (Side)
Statuette French; 16th century Leipzig, GRASSI Museum für Angewandte Kunst, 1916.219

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