Gothic Ivories Project


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Type	Place/date	Current location

Opening Virgin triptych (Vierge ouvrante); Boubon Virgin (Vierge de Boubon)

French (Burgundy, Sens?); 12th century-13th century; 18th century-19th century

Baltimore, Walters Art Museum, Inv. 71.152

Wing, right (fragment of diptych), 1 register, 3 arches across (plaquette; frise d'arcatures)

; 15th century

Zürich, Swiss National Museum, LM 887

Openwork panels, part of a casket (plaque ajourée; coffret)

French (Burgundy?); 15th century

Paris, Musée du Louvre, MRR 83

Pax, 1 register, 1 arch across (plaquette; baiser de paix)

South Netherlandish (Flemish); 16th century

Aachen, Suermondt-Ludwig-Museum, KK 875

Writing tablets, 1 register, 1 full and 2 half arches across (tablettes à écrire; plaquettes); reused as part of a monstrance

German (Lower Saxony, Brunswick?); 14th century

Berlin, Kunstgewerbemuseum, Inv. W 35

Statuette (probably part of a staff)

; 15th century

Langres, Saint-Mammès Cathedral Treasury (property of the French State), Inv. 13

Fragment of a reliquary (?)

North French or German (Cologne) (?); 13th century

Berlin, Kunstgewerbemuseum, Inv. W-1969,17

Polyptych with ivory reliefs, 1 and 2 registers (tabernacle; appliqués); also known as Madonna di Monteguaitano and Madonna delle Grazie

Italian, French; 14th century

Siena, Pinacoteca Nazionale, s/n

Statuette (probably part of a staff)

; 15th century

Langres, Saint-Mammès Cathedral Treasury (property of the French State), Inv. 13

Diptych, 1 register, 3 arches across (plaquettes; frise d'arcatures)

Unpublished;

Alnwick Castle, Collection of the Duke of Northumberland, s/n


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