Gothic Ivories Project


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Type	Place/date	Current location

Head of crozier (crosse)

French, German (Mainz?); 14th century

Amsterdam, Rijksmuseum, BK-16991

Diptych with gables, 3 registers, 3 arches across (frise d'arcatures); known as 'Soissons Diptych'

French (Paris); 13th century

London, Victoria and Albert Museum, 211-1865

Statuette

French (Paris); 14th century

Toronto, The Thomson Collection at the Art Gallery of Ontario (AGO), 68117

Polyptych with ivory reliefs, 1 and 2 registers (tabernacle; appliqués); also known as Madonna di Monteguaitano and Madonna delle Grazie

Italian, French; 14th century

Siena, Pinacoteca Nazionale, s/n

Comb (peigne double)

French or South Netherlandish (Flemish) (?); 15th century

Berlin, Kunstgewerbemuseum, Inv. F 1625

Statuette

Netherlandish; 15th century

Aachen, Suermondt-Ludwig-Museum, KK 852

Reliefs (appliqués; part of a group) and statuette

French; 13th century; 14th century

Zwettl, Stift Zwettl, s/n

Diptych, 1 register, 1 arch across (plaquettes)

German (Cologne); 14th century

Baltimore, Walters Art Museum, Inv. 71.214

Openwork triptych, 1 register (ajouré)

German; 14th century

Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 674 (almost completely destroyed)

Relief (appliqué)

German (Middle Rhineland); 14th century

Baltimore, Walters Art Museum, Inv. 71.233


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