Kehrer 1909: Germano-Italian, c. 1390.
Egbert 1929: Venice or Veneto, early 15th century.
Attribution
Style of the Innes Diptych (Egbert 1929)
Hinges
Two hinges on either side.
Polychromy - Gilding
Traces of gilding and polychromy: red (mouths); gold (foliated decoration; hair; beard; crowns; cross; palm; wheel; frame; along the hems, etc.).
Reverse
Smooth. Vertical edges of the centre panel slightly chamfered. Label with printed inscription: '167'.
Object Condition
The centre panel is pierced with several large holes.
Provenance
Acquired in 1874 from the Neukloster Monastery in Wiener Neustadt.
Bibliography
H. Kehrer, Die heiligen drei Könige in Literatur und Kunst (Leipzig, 1908-1909), II, p. 164.
D. D. Egbert, 'North Italian Gothic Ivories in the Museo Cristiano of the Vatican Library', in Art Studies 7 (1929), pp. 168-207 [p. 181, fig. 22].
All images on this website are made available exclusively for scholarly and educational purposes and may not be used commercially.