Inv. 697 (lost)
Man of Sorrows (Ecce Homo); Christ displaying his wounds; angels holding Instruments of the Passion (nails; whip).
Vöge 1900: Spanish, early 16th century.
Volbach 1923: Spain, late 15th century.
Koechlin 1924: French (?), late 15th century.
Dokumentation 2006: Spain, late 15th century.
Attribution
Unknown
Polychromy - Gilding
Traces of polychromy (in 1865).
Object Condition
Traces of a mount.
Provenance
Collection of Anton Josef Essingh (b. 1787, d. 1864), Cologne: his sale, Heberle, 18 September 1865, lot 856; acquired by the Kunstkammer in 1865; undocumented after 7 April 1945.
Bibliography
W. Vöge, Die Königlichen Museen zu Berlin. Beschreibung der Bildwerke der christlichen Epochen. Zweite Auflage. Elfenbeinwerke (Berlin, 1900), no. 159, pl. XXXVI.
W. F. Volbach, Die Bildwerke des Deutschen Museums, Die Elfenbeinbildwerke (Berlin, 1923), p. 56, pl. 39.
Catalogue of an Exhibition of Carvings in Ivory, exhibition catalogue, London, Burlington Fine Arts Club, 1923, p. 91, in relation to no. 157.
R. Koechlin, Les Ivoires gothiques français (Paris, 1924), I, pp. 348-349; II, no. 979.
Dokumentation der Verluste. Skulpturensammlung, VII: Skulpturen, Möbel (Berlin, 2006), p. 64.
All images on this website are made available exclusively for scholarly and educational purposes and may not be used commercially.
