Gothic Ivories Project | Statuette (Side)

Standing Virgin and Child; Christ seated on left arm; Christ in long robe; belt.

Koechlin 1924: France, mid 13th century.
Randall 1966: French, mid-13th century.
Randall 1985 and Museum's opinion 2010: French (Paris or north France), 2nd quarter of the 13th century.

Attribution
Unknown

Polychromy - Gilding
Traces of gilding: patterns along the hems.

Reverse
Later hole in the back, possibly for a relic.

Object Condition
Missing: right forearm and hand of the Virgin; fingers on both hands of the Child.
Broken fold on the Virgin's left side.

Provenance
Alphonse Kann collection, Paris. Collection of Edouard Passavant-Gontard, Frankfurt. Collection of Dikran Kélékian (b. 1868, d. 1951), Paris: bought from him by Henry Walters in Paris in 1922; Walters Art Museum, 1931, by bequest.
Note: the order of the early provenance has not been checked.

Bibliography
R. Koechlin, Les Ivoires gothiques français (Paris, 1924), I, p. 53; II, no. 13; III, pl. IVbis.
L. Grodecki, Ivoires français (Paris, 1947), p. 82.
The International Style: The Arts of Europe around 1400, ed. by P. Verdier, exhibition catalogue, Baltimore, Walters Art Gallery, 1962, no. 3, p. 31, fig. 18.
R. H. Randall, 'The Medieval Artist and Industrialized Art', in Apollo 84 (December 1966), pp. 434-441, fig. 12.
R. H. Randall, Medieval Ivories in the Walters Art Gallery (Baltimore, 1969), no. 10.
R. Suckale, Studien zu Stilbildung und Stilwandel der Madonnenstatuen der Ile-de-France zwischen 1230 und 1300 (Munich, 1971), p. 91ff.
C. Little, 'Ivoires et art gothique', in Revue de l'art, 46 (1979), pp. 58-67 (p. 59, fig. 3).
R. H. Randall, Masterpieces of Ivory from the Walters Art Gallery (New York, 1985), no. 261.

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