Inv. 71.152
Koechlin 1924: France, 2nd quarter of the 13th century (?).
Radler 1990: c. 1200.
Sandron 1993: 'parts of the wings could be genuine.
Detroit 1997: French (Ile-de-France or Paris), probably 1750-1780. The ivory was dated to 1020-1220 AD in calibrated years (95% possibility) or 1030-1150 AD (68% possibility). Old ivory seems thus to have been used. Does not fully trust radiocarbon dating.
Holbert 1997-1998: Central France, c. 1200-1225.
Museum's opinion 2010: French (Burgundy; Sens?), c. 1180-1250.
Attribution
Unknown
Hinges
Four original iron hinges (broken).
Reverse
Carved in the round. Back of the centre panel flat and smooth.
Object Condition
Missing: upper part of the left wing (left half of the Virgin's face and angel on the inside); left side of the head of Christ on the outside (replaced); left foot of the Virgin with the drapery covering it (replaced); on the inside, lower half of Mark, the first evangelist on the left (replaced).
Christ's right hand may have been restored (outside of wings). The upper part of the right wing broke and was reattached. Head of the Virgin artificially aged on the front by the carving of scratches on all sides to imitate cracks, especially at the joins on the outside edges.
Lost pieces of ivory around the hinges.
Comments
Related to three other 'Vierges ouvrantes' (Paris, Musée du Louvre; Lyon, Musée des Beaux-Arts; Rouen, Musée des Antiquités).
Provenance
Wings: Priory of the Convent of Boubon, Cussac, near Limoges (Haute-Vienne; France, Central) in 1789; Anne Hugonneau, Convent of Boubon; Jean Hugonneau-Beaufet, Saint-Mathieu, from 1826, by inheritance; Pierre Hugonneau-Beaufet, Dournazac, from 1839, by gift; Pierre Hugonneau-Beaufet's niece, by inheritance; Sailly, Limoges, from 1897, by inheritance; Lavergne, Abjat, from 1897, by gift.
Centre panel: Priory of the Convent of Boubon, Cussac, near Limoges (Haute-Vienne; France, Central) in 1789; Chaperon, caretaker of the Convent of Boubon, ca. 1792; Chaperon's daughter, wife of Duvoisin, by inheritance; Antonin Duvoisin, by inheritance; Lavergne, Abjat, by gift. From 1897, wings and central panel were joined: Jacques Seligmann collection, Paris, ca. 1900; collection of Sir Thomas Gibson-Carmichael, London; sold, Christie's, London, 12 May 1902, lot 20: bought by George Harding, London; bought by Henry Walters in 1903; Walters Art Museum, 1931, by bequest.
Bibliography
E. Didron, 'Les Images ouvrantes', in Annales archéologiques, 27 (1870-1872), pp. 107-109 (pp. 108-109).
A. Lecler, 'La Vierge ouvrante de Boubon', in Bulletin de la Société archéologique et historique de Limousin, 36 (1888), pp. 204-241 (p. 241).
Baron de Verneilh, 'La Vierge ouvrante de Boubon: découverte de la seconde partie', in Bulletin de la Société archéologique et historique de Limousin, 46 (1898), p. 254.
Exposition rétrospective de l'art français des origines à 1800, exhibition catalogue, Paris, Petit Palais, 1900, no. 50.
A. Maskell, Ivories (Connoisseurs Library), (London, 1905), pp. 171, 384.
J. Clément, La Représentation de la Madone à travers les âges (Paris, 1909), p. 39.
A. Fabre, 'Les Vierges ouvrantes', in Notre-Dame, 1 (1911), pp. 54ff.
J. Sarrète, Vierges ouvertes, Vierges ouvrantes, et la Vierge ouvrante de Palau-del-Vidre' (Lézignan-Corbières, 1913), pp. 40, 85-87.
R. Koechlin, Les Ivoires gothiques français (Paris, 1924), I, p. 52; II, no. 9; III, pl. IV.
L. Grodecki, Ivoires français (Paris, 1947), p. 81.
A. Schmid, 'Die Schreinmadonna von Cheyres', in Lebendiges Mittelalter. Festgabe für Wolfgang Stammler (Freiburg, 1958), p. 155.
M. Vloberg, 'Vierges ouvrantes: Sanctuaires et pèlerinages', in Bulletin du Centre national de la recherche scientifique, 30 (1963), pp. 25ff.
M. and R. Blancher, Recherches sur la Vierge de Boubon (Paris, 1972).
C. Baumer, 'Die Schreinmadonna', in Marian Library Studies, 9 (1977), pp. 237ff.
D. Gaborit-Chopin, Ivoires du Moyen Age (Freiburg, 1978), p. 134.
D. Sandron, 'La Sculpture en ivoire au début du XIIIe siècle: d'un monde à l'autre', in Revue de l'Art, 102 (1993), pp. 48-59 (fig. 6).
G. Radler, Die Schreinmadonna 'Vierge ouvrante' von den bernhardinischen Anfängen bis zur Frauenmystic im Deutschordensland, Frankfurter Fundamente der Kunstgeschichte, vol. VI (Frankfurt, 1990), pp. 203-209.
Images in Ivory. Precious Objects of the Gothic Age, ed. by Peter Barnet, exhibition catalogue, Detroit, The Detroit Institute of Arts, and Baltimore, The Walters Art Gallery, 1997, no. 83, pp. 285-289.
K. Holbert, 'The Vindication of a Controversial Early Thirteenth-Century Vierge Ouvrante in the Walters Art Gallery', in The Journal of the Walters Art Gallery 55-56 (1997-1998), pp. 101-121.
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