Koechlin 1924: France, 1st third of 14th century.
Lowden 2008 and Museum's opinion 2008: France, N., c. 1325-1350. Radiocarbon dating produced a date of 855+- 35 years BP, i.e. a 95% probability of a date for the ivory within the range 1130-1250.
Attribution
Unknown
Hinges
Three hinges.
Polychromy - Gilding
Traces of gilding, especially in the hair. Traces of polychromy on the clothing.
Reverse
Flat and smooth. Ink inscription: '2607'.
Comments
Close to a diptych in Amiens Bibliothèque Municipale (Koechlin, 1924, no. 240).
Provenance
Collection of Herrmann Sax, Vienna: Sax sale, Vienna, Miethke, 4 December 1893, lot 119, with ill. Heckscher collection, Vienna: his sale, Christie's, 1898, lot 191. Collection of Martine, Comtesse de Béhague (1870-1939); by descent to her nephew and heir Hubert, Marquis de Ganay, Paris; Thomson collection, Toronto (acquired at the Ganay sale, Sotheby's, Monaco, 5 December 1987, lot 176); since 2008, The Thomson Collection at the Art Gallery of Ontario (AGO), Toronto.
Bibliography
R. Koechlin, Les Ivoires gothiques français (Paris, 1924), I, p. 152; II, no. 245.
J. Cherry, J. Lowden, Medieval Ivories and Works of Art: The Thomson Collection at the Art Gallery of Ontario (Toronto, 2008), cat. 32.
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