Gothic Ivories Project


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Type	Place/date	Current location

Polyptych with ivory reliefs, 1 and 2 registers (tabernacle; appliqués); also known as Madonna di Monteguaitano and Madonna delle Grazie

Italian, French; 14th century

Siena, Pinacoteca Nazionale, s/n

Statuette (probably part of a staff)

; 15th century

Langres, Saint-Mammès Cathedral Treasury (property of the French State), Inv. 13

Diptych, 2 registers, 4 arches across (frise d'arcatures; colonnettes)

French (?); 14th century

Schwerin, Staatliches Museum Schwerin, MK 33

Panel (possibly a writing tablet), 1 register, 3 arches across (plaquette; frise d'arcatures; tablette à écrire)

French; 14th century

Aachen, Suermondt-Ludwig-Museum, KK 867

Mirror case (valve de miroir)

French (Paris); 13th century; 14th century

London, Victoria and Albert Museum, 803-1891

Mirror case, frame of 6 lobes (valve de miroir)

French; 14th century

Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 653 (almost completely destroyed)

Rosary pendant, 2 faces (chapelet)

French or South Netherlandish (Flemish); 15th century-16th century

Philadelphia, Philadelphia Museum of Art, 2007-133-1

Statuette

; 14th century

Zürich, Swiss National Museum, AG 1321

Diptych, 3 registers, 4 arches across (frise d'arcatures); known as the Vich Diptych (Diptyque de Vich)

French; 14th century

Baltimore, Walters Art Museum, Inv. 71.179

Diptych, 2 registers, 4 arches across (frise d'arcatures)

South Netherlandish (Flemish); 14th century

Baltimore, Walters Art Museum, Inv. 71.177


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