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Type

Place/date

Current location

Box (boite) (Body, back)
Box (boite) ; 15th century Ambel, Palacio-Convento de Ambel, s/n
Opening Virgin triptych (Vierge ouvrante; Virxe abrideira; colonnettes); known as the Virgen Abridera de Allariz (Front, open)
Opening Virgin triptych (Vierge ouvrante; Virxe abrideira; colonnettes); known as the Virgen Abridera de Allariz Spanish (?), French (?); 13th century; 14th century Allariz (Orense), Museo de Arte Sacro del Real Monasterio de Santa Clara, Inv. 1
Gabled triptych, 3 registers (colonnettes) (Front)
Gabled triptych, 3 registers (colonnettes) French (Paris); 14th century Amiens, Bibliothèque municipale, Obj. Lesc. 6
Diptych, 2 registers, 6 arches across (frise d'arcatures); known as the Ulpha Diptych (Wing, left)
Diptych, 2 registers, 6 arches across (frise d'arcatures); known as the Ulpha Diptych Unpublished; Unknown location, s/n
Panels (fragments of a casket; back)(coffret) (Back)
Panels (fragments of a casket; back)(coffret) French (Paris); 14th century Washington, D.C., Smithsonian American Art Museum, 1929.8.240.3
Panels (fragments of a casket; back)(coffret) (Front)
Panels (fragments of a casket; back)(coffret) French (Paris); 14th century Washington, D.C., Smithsonian American Art Museum, 1929.8.240.3
Statuette (probably part of a staff) (Detail)
Statuette (probably part of a staff) ; 15th century Langres, Saint-Mammès Cathedral Treasury (property of the French State), Inv. 13
Mirror case, frame of 4 lobes (quatre-feuilles; valve de miroir) (Back)
Mirror case, frame of 4 lobes (quatre-feuilles; valve de miroir) North Italian (Lombardy or Milan); 14th century; 15th century Washington, D.C., Smithsonian American Art Museum, 1929.8.240.4
Panels (fragments of a casket; back)(coffret) (Front)
Panels (fragments of a casket; back)(coffret) French (Paris); 14th century Washington, D.C., Smithsonian American Art Museum, 1929.8.240.3
Statuette (Bottom)
Statuette French (Paris); 13th century; 14th century Villeneuve-lès-Avignon, Musée Pierre de Luxembourg, Inv. PL 86. 3. 1.

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