Gothic Ivories Project


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Type	Place/date	Current location

Comb (peigne double)

Italian; 14th century

Munich, Bayerisches Nationalmuseum, Inv. MA 2027

Statuette

French; 19th century

Providence, Rhode Island School of Design, Museum of Art, 13.1491B

Box, ogee arches, with sliding lid

North Italian (Tyrol or Piedmont); 15th century

Madrid, Museo Nacional de Artes Decorativas, CE27443

Polyptych with ivory reliefs, 1 and 2 registers (tabernacle; appliqués); also known as Madonna di Monteguaitano and Madonna delle Grazie

Italian, French; 14th century

Siena, Pinacoteca Nazionale, s/n

Gabled polyptych (tabernacle; colonnettes; frise d'arcatures)

French (Paris); 13th century or 14th century

Toledo, The Toledo Museum of Art, 50.304

Polyptych (tabernacle)

French, North Italian, North Netherlandish; 14th century; 15th century (?)

Milan, Castello Sforzesco, Civiche Raccolte d'Arte Applicata, Avori 31

Diptych with gables, 3 registers, 3 arches across (frise d'arcatures); known as 'Soissons Diptych'

French (Paris); 13th century

London, Victoria and Albert Museum, 211-1865

Pax, 1 register, 1 ogee arch across (baiser de paix)

Netherlandish; 15th century

Aachen, Suermondt-Ludwig-Museum, KK 874

Statuette

French (Paris); 14th century

Toronto, The Thomson Collection at the Art Gallery of Ontario (AGO), 68117

Gabled diptych with pinnacles, 3 registers, 3 arches across (frise d'arcatures; colonnettes)

French (Paris); 13th century

Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 623; Inv. 624


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