Gothic Ivories Project


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Type	Place/date	Current location

Comb (peigne double)

Italian; 14th century

Munich, Bayerisches Nationalmuseum, Inv. MA 2027

Openwork diptych, 3 registers, 3 arches across (frise d'arcatures; colonnettes; ajouré); known as the portable altar of king Christian I

Norwegian; 14th century and 15th century

Copenhagen, Nationalmuseet, Inv. 10357

Relief (appliqué); used as part of the binding of a book

French; 14th century

Cracow, Czartoryski Museum, Inv. 2387

Statuette

Netherlandish; 15th century

Aachen, Suermondt-Ludwig-Museum, KK 852

Box, ogee arches, with sliding lid

North Italian (Tyrol or Piedmont); 15th century

Madrid, Museo Nacional de Artes Decorativas, CE27443

Panel (possibly a writing tablet), 1 register, 3 arches across (plaquette; frise d'arcatures; tablette à écrire)

French; 14th century

Aachen, Suermondt-Ludwig-Museum, KK 867

Rounded-top openwork panel, 1 register (plaquette ajourée)

French (Paris?); South Netherlandish; 15th century

Amsterdam, Rijksmuseum, BK-NM-122

Diptych, 3 registers, 5 arches across, bands of rosettes (frise d'arcatures; décor de roses)

French; 14th century

Toledo, The Toledo Museum of Art, 50.300

Pommel (fragment) or rosary bead, 4 faces (chapelet)

Netherlandish; 16th century

Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 3097 (almost completely destroyed)

Opening Virgin triptych (Vierge ouvrante); Boubon Virgin (Vierge de Boubon)

French (Burgundy, Sens?); 12th century-13th century; 18th century-19th century

Baltimore, Walters Art Museum, Inv. 71.152


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