Gothic Ivories Project


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Type	Place/date	Current location

Rosary bead, 2 faces (chapelet)

German (?); 16th century

Cologne, Museum Schnütgen, Inv. B 133

Statuette

; 14th century

Zürich, Swiss National Museum, AG 1321

Triptych, 2 registers, with trefoils arches

; 13th century; 14th century

Cologne, Museum Schnütgen, Inv. B 135

Panel, 1 register, 3 arches across (frise d'arcatures; plaquette)

French; 14th century

Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 8530 (lost)

Gabled triptych, 2 registers; reliefs (appliqués)

French (Paris?), German (Cologne); 14th century

Aachen, Suermondt-Ludwig-Museum, KK 997

French (Paris); 14th century

Cologne, Museum Schnütgen, Inv. B 136

Wing, right (fragment of a diptych), 1 register, 3 arches across (plaquette; frise d'arcatures)

French (?); 14th century

Aachen, Suermondt-Ludwig-Museum, KK 871

Panels (fragments), reused to form a gabled triptych, 4 registers

French (?); 14th century

Saint Petersburg, The State Hermitage Museum, Inv. F 41

Statuette

Spanish; French; 13th century (?); 14th century

Zamora, Cathedral, Lost

Polyptych with ivory reliefs, 1 and 2 registers (tabernacle; appliqués); also known as Madonna di Monteguaitano and Madonna delle Grazie

Italian, French; 14th century

Siena, Pinacoteca Nazionale, s/n


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