Gothic Ivories Project


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Type	Place/date	Current location

Relief (appliqué)

French (Lorraine); 14th century

Worcester (Massachusetts), Worcester Museum of Art, 1940.27

Polyptych with ivory reliefs, 1 and 2 registers (tabernacle; appliqués); also known as Madonna di Monteguaitano and Madonna delle Grazie

Italian, French; 14th century

Siena, Pinacoteca Nazionale, s/n

Wing, right (fragment of a diptych), 1 register, 2 arches across (frise d'arcatures; plaquette)

German (Rhenish); 14th century

Aachen, Suermondt-Ludwig-Museum, KK 866

Diptych, 1 register, 3 arches across (plaquettes; frise d'arcatures)

French (Paris); 14th century

Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 2390; Inv. 2391

Bust

German (Worms); 16th century

Zagreb, Muzej Mimara, Inv. ATM 985

Statuette

German; 13th century

Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 1958 (almost completely destroyed)

Pyxis with arches, band of rosettes (frise d'arcatures; décor de roses; pyxide)

French; 14th century

Saint Petersburg, The State Hermitage Museum, Inv. F 37

Ring shaped base (possibly knop of a crozier)

; 14th century

Aachen, Suermondt-Ludwig-Museum, KK 872

Relief (appliqué)

French (?); 14th century; 18th century; 19th century

Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 126

Gabled panel (possibly fragment of a triptych or polyptych), 1 register, 1 arch across (plaquette; colonnettes)

French; 14th century

Aachen, Suermondt-Ludwig-Museum, KK 993


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