Gothic Ivories Project


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Type	Place/date	Current location

Relief (appliqué); known as the Baden Virgin

; 19th century

Zürich, Swiss National Museum, LM 19904

Diptych with gables, 3 registers, 3 arches across (frise d'arcatures); known as 'Soissons Diptych'

French (Paris); 13th century

London, Victoria and Albert Museum, 211-1865

Statuette

Flemish (Bruges, Tournai or Ghent); 14th century; 15th century

Aalst, Hospitaal van de Zusters Augustinessen (Augustinian Convent), s/n

Polyptych with ivory reliefs, 1 and 2 registers (tabernacle; appliqués); also known as Madonna di Monteguaitano and Madonna delle Grazie

Italian, French; 14th century

Siena, Pinacoteca Nazionale, s/n

Pax, 1 register, 1 arch across (plaquette; baiser de paix)

South Netherlandish (Flemish); 16th century

Aachen, Suermondt-Ludwig-Museum, KK 875

Comb (peigne double)

Italian; 14th century

Munich, Bayerisches Nationalmuseum, Inv. MA 2027

Panel (possibly a writing tablet), 1 register, 3 arches across (frise d'arcatures; plaquette; tablette à écrire)

French; 14th century

Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 630 (almost completely destroyed)

Diptych, 3 registers, bands of rosettes (décor de roses)

French (Paris); 14th century

Amiens, Bibliothèque municipale, Obj. Lesc. 7

Diptych, 3 registers, 7 arches across (frise d'arcatures)

French (Paris); 14th century

Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 634; Inv. 635

Comb (peigne double)

South German (?); 15th century

Berlin, Kunstgewerbemuseum, Inv. F 1561


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