Gothic Ivories Project


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Type	Place/date	Current location

Openwork relief (appliqué; ajouré); reliquary

French; 14th century; 15th century; 18th century; 19th century

Florence, Museo Nazionale del Bargello, Inv. 153 C

Comb (peigne double)

Italian (Venice); 14th century

Florence, Museo Nazionale del Bargello, Inv. 140 C

Openwork relief (appliqué; ajouré); reliquary

French; 14th century; 15th century; 18th century; 19th century

Florence, Museo Nazionale del Bargello, Inv. 153 C

Polyptych with ivory reliefs, 1 and 2 registers (tabernacle; appliqués); also known as Madonna di Monteguaitano and Madonna delle Grazie

Italian, French; 14th century

Siena, Pinacoteca Nazionale, s/n

Diptych, 2 registers, 6 arches across (frise d'arcatures; colonnettes)

French; 14th century

Florence, Museo Nazionale del Bargello, Inv. 14 A

Saddle (selle)

German; 15th century

Florence, Museo Nazionale del Bargello, Inv. 15 A

Gabled panel, 1 register, 1 arch across (plaquette; baiser de paix); used as a pax

German (Rhenish) or French; 14th century

Aachen, Suermondt-Ludwig-Museum, SK 82 (lost)

Panels, 1 register, 1 arch across

German; 15th century

Florence, Museo Nazionale del Bargello, Inv. 157 C

Gabled triptych, 2 registers; reliefs (appliqués)

French (Paris?), German (Cologne); 14th century

Aachen, Suermondt-Ludwig-Museum, KK 997

Folding chess board and tables board (backgammon)

North French or South Netherlandish (Flemish)(?), Spanish (Granada?), Italian; 15th century

Florence, Museo Nazionale del Bargello, Inv. 155 C


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