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R. S. Loomis, 'The Allegorical Siege in the Art of the Middle Ages', in American Journal of Archeology, 2nd series, vol. 23, no. 3 (1919), pp. 255-269.
T. T. Hoopes, ‘An Ivory Casket in the Metropolitan Museum of Art’, in The Art Bulletin, vol. 8, no. 3 (March 1926), pp. 127-39.
D. J. A. Ross, 'Allegory and Romance on a Mediaeval French Marriage Casket', in Journal of the Warburg and Courtauld Institutes 11 (1948), pp. 112-142.
L. Gross, 'La Chastelaine de Vergi Carved in Ivory', in Viator 10 (1979), pp. 311-321.
M. Gibson, 'Through the Looking Glass: a Gothic Ivory Mirror Case in the Liverpool Museum', in The Chaucer Review 21 (1986), pp. 213-216.
R. H. Randall, 'Medieval Ivories in the Romance tradition', in Gesta, 28 (1989), pp. 30-40.
C. Jean-Campbell, 'Courting, Harlotry and the Art of Gothic Ivory Carving', in Gesta 34 (1995).
D. Gaborit-Chopin, Miroirs. Jeux et reflets depuis l'Antiquité, exhibition catalogue, Rouen, Musée départemental des Antiquités, 2000-2001.
P. M. Carns, 'Compilatio in Ivory: The Composite Casket in the Metropolitan Museum', in Gesta, 44/2 (2005), pp. 69-88.
... and other articles by Paula Mae Carns: for a full list, see HERE.
M. Meuwese, ‘Chrétien in Ivory’, in Arthurian Literature, 25 (2008), pp. 119-52.
La Légende du roi Arthur, dir. by T. Delcourt, exhibition catalogue, Paris, Bibliothèque nationale de France, 2009.
J. Saviello, 'Instrumente der Ordnung - Objekte der Verführung. Elfenbeinkämme als Bildträger im 14. und 15. Jahrhundert', in Werkzeuge und Instrumente, dir. by P. Cordez and M. Krüger (Berlin, 2012), pp. 49-65.
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